ROOMMATES
Linocut print on paper
Spiders, dragonflies and tree mice,
chickens, foxes, cats and flies.
There are many who call this place "mine". The growing series of linocuts is created on cold winter nights when I feel reminded of the farmers who lived on this farm before me. I cut linoleum the way they sharpened their tools while telling each other stories, of the animals that lived with them.
to my dear Antoine
Copper engravings & linocuts
Excerpts from a visual biography of Antoine de Saint-Exupéry. The illustrations were created along the letters that Antoine and his mother wrote and drew to each other.
shine on you
Oil on canvas
Bodies arise when light falls on matter.
Ideas arise when sense meets motivation.
floras carneval
Pencil on paper
The series deals with the thought game of what it would look like if plants could disguise themselves. Who would they want to be, what would they wear, what would you think of them?
An attempt to let the roots grow wings.
wildflowers of gascony
Pencil, fineliner & watercolor on paper
This series is study and documentation of the plant life found on my farm, in Gascony. It is an attempt to get to know them better through the drawing.
L'ENCRE ME PARLE
Natural ink on paper
My fascination with inks begins with the originality with which the liquid draws its line. Saturation, density, consistency - every ink is different. But what exactly is ink? Some time ago, I came across an explanation that captivated me:
„Ink can be made from anything that has color“ (Jason Logan). Pigments, water and time, that is the recipe. The rest is up to the cook. In this series, I'm exploring the dynamics of my own inks, filtered or unfiltered, stirred or shaken, liquid or dry.
DIRECTION OF FLOW
Ink & gouache on paper
The space, the depth of black and the
red of the signatures - all come from
the Japanese tradition of sumi-e painting.
Without appropriating the culture,
I am looking for a way to take this
technique and develop my own dynamics.
At the beginning, the question is
whether the sumi-e technique can be
extracted from its geographical, historical
and cultural context without
imitating it. India ink & gouache on
paper.
DUST & paint
Mixed media
A 200-year-old farm house, memories, dust, particles, bits of color, and lots of starry skies all around...
What happens if you'd pick it all up and give it a good shake?
Bodies
Pencil & acrylic on canvas